‘Could be anyone’ – dance piece, choreographed
by Harry Koushos and performed by Emi Korfia, made a great impact on me.
Performance which was based on power, emotionality, psychological abuse,
cruelty mixed with sense of fluster, made me think that person is a constantly
transforming creature. I was the most affected by the artist’s ability to express
the emotions and strength during the performance. Therefore, I was able to
recognize that power was the major source to influence the fight between body
and brain. In addition to this, performer’s glance seemed to be full of anger
throughout the play. As a viewer, I was placed to a difficult situation at that
moment. I heard the voice coming out from me: ‘Maybe you are not in the right
place and not in the right time’.
Another important thing
which needs to be discussed is movement vocabulary. Small, but at the same time
strong body movements, had their bonuses as well. As the member of the audience
I was not able to take my eyes out of the dancer without being concerned to
miss small, however very important details. It was shown in a clear way that strict
movements were brought from political concept. It was amazing how strength
became the dominating feature not only in dancer’s body and brain but in the
surrounding atmosphere as well. Moreover, music was inseparable part of this
performance which made it be more effective. Strong, rhythmic sound produced
the sense of being ruled by the performer.
In conclusion, ‘Could be
anyone’ reminded me of the performance I have seen few years ago, called
‘Political Mother’. Both performers impressed me with their drastic, arrogant
and powerful movement vocabulary as well as face expressions. I think, these features meant above are the
most important factors that have drawn my attention.
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